Geneticist Victoria hits on a novel, if ethically problematic, way to help her son Spencer work through his violent impulses. The experiment doesn’t go as planned.
This was a solid offering in the Blumhouse “Into the Dark” series: not as good as “Pooka” or “New Year, New You,” but better than “Down” and “Treehouse.” It drags a bit in the middle–it feels like it could have been about an hour long with a tighter script–but delivers some interesting ideas and a tense final act.
A couple leaves the interstate to avoid a backup, run into car problems after a racoon encounter, and end up at a seedy motel for the night. Then things get unpleasant.
This is very much in the same vein as “The Strangers,” if a little less nihilistic (the villains in this case at least have a major snuff film operation, whereas the villains in “The Strangers” are just in it for the LOLs). Lots of tension, quite a few jumps, surprisingly little by way of on-screen gore and violence but a terribly dark premise. While not technically a “home invasion” movie, it definitely has all the tropes, and would stand up well in a double bill with “The Strangers,” “Better Watch Out,” and “Hush.” Highly recommended for fans of killers trying to barge through locked doors.