Becky moves to Chicago to live with her brother Otis and his odd roommate Henry. Henry has a grim hobby, into which he recruits Otis.

This has a nasty, gritty, urban-noir feel, seeming more like a product of the early 1970s than 1986 — the cinematography feels very inspired by “Midnight Cowboy” or “Panic in Needle Park,” and not at all like the slick slashers of the ’80s. Henry is a strangely seductive figure, drawing both Otis and Becky into his orbit, and bringing out Otis’ demons in some particularly disturbing scenes. The introduction of the video camera adds another layer to the story, with the recorded murders giving both distance and intimacy to the violence.